A recent news story about a woman with Asperger’s who was forcibly ejected from a screening of The Good, The Bad and The Ugly at the BFI for laughing too loudly highlights the problems people with autism and learning disabilities face when going to the cinema and accessing the community in general.
Just as an aside, surely The Good, The Bad and The Ugly is at least 50% a comedy anyway. But really that’s immaterial. Are we now judging people on how loudly they laugh?! How far are we going to take this? Maybe an usher with a sound meter?
I find it both fascinating and alarming that one of the punters who objected to the appalling sound of someone enjoying herself watching a film (her favourite as it happens) thought it was ok to shout the word “retarded” at her. Seriously? In 2018? Should that person have been ejected for shouting out something so offensive? I realise this becomes a free speech issue and a whole other debate, but imagine an audience member had shouted out something racist? Or homophobic? Most of us would consider that unacceptable and probable grounds for ejection. But we are still a long way from instant, outright condemnation of offensive language relating to disability.
Some cinemas these days do offer ‘autism friendly’ screenings, but is that good enough? Should someone with autism have to wait in hope that the film they want to see is granted such a screening? Or should they be allowed to go to any film at any time they like? You know, the right the rest of us take for granted.
Hearing this story also brought me back to something that’s been bothering me for a long time and it concerns the weekly Radio 5 Live programme ‘Kermode and Mayo’s Film Review’. This has become a cult favourite, and it has value as possibly the only well known review show that gives fairly comprehensive coverage of all the new releases (including documentaries and foreign films, albeit briefly). However, one aspect of the programme doesn’t sit well with this listener – namely, what they refer to as ‘The Code of Conduct’, or more simply ‘The Code’. This has developed over several years and is effectively a series of do’s and don’ts regarding behaviour and etiquette when at the cinema.
This ‘code’ has always bothered me. For starters, Kermode and Mayo have decided to be the self-appointed arbiters of what constitutes acceptable behaviour in the cinema. Now, no doubt there is a slight tongue-in-cheek quality to this, but the listeners who email the show appear to take it 100% at face value, indeed praising audiences for being ‘code compliant’. (Am I the only one who finds that phrase deeply sinister?) They also ask Kermode, or ‘the good doctor’, for his ruling on recent examples of potentially questionable cinema-based behaviour. When did this bloke get appointed Minister in Charge of Cinema Etiquette?? Combine all this with the fact that emailers regularly refer to the show and its ideology as ‘the church’ and it all starts to sound like some bizarre cult disguised as a Radio 5 film review show. (My tongue may be slightly in cheek there.)
But beyond these issues, I fear Kermode and Mayo’s ‘Code of Conduct’ is training people to be hyper sensitive, to become instantly irate at the slightest noise – a sweet wrapper, say – they happen to hear in a cinema. It’s conditioning intolerance. It’s like when you’re driving and the traffic stops – you instantly assume the worst and that the delay is totally unjustified. Often, people talking and making a noise in the cinema is just bad manners and a lack of consideration but we shouldn’t instantly assume this.
A refusal to accept those whose behaviour steps slightly outside what is generally regarded as ‘normal’ by the mainstream of society is a significant factor in people who have disabilities and autism being marginalised in society. At worst it leads to isolation, loneliness and mental health problems.
Of course, I’m not accusing Kermode and Mayo of being responsible for what happened to that young woman with Asperger’s, but if you’re not part of the solution… etc.
I wonder if the BFI is not exactly helping matters either. Celebrating cinema is great but perhaps its whole ‘film lover’s paradise’-vibe is also contributing to a culture where everyone is overly precious about their individual cinema experience. The BFI is the only place I’ve ever heard audiences consistently applaud at the end of screenings (a bit odd I’ve always felt considering none of the screenings I was at had a single member of the cast or crew among the audience). It is reported that some audience members walked out in disgust at the treatment the young woman received. They are heroes. The people who shouted out “bitch” and “retarded” and those who applauded at the woman being ejected are not. They don’t deserve the magic of cinema.
I don’t know about anyone else, but reading this story put me off the BFI, put me of the cinema, put me off cinema audiences. I love films and the cinema as much as anyone, and I don’t like loud audience members, people being on their phones, crying babies etc. However, there is something far more important. Namely: inclusion.