On TV Tonight

Starred Up (2013, David Mackenzie)

In one of many subtly profound but almost throwaway moments in the sitcom Seinfeld, George and Jerry briefly discuss incarceration. Rather than describing how terrible it seems (as you might expect), we get this –

GEORGE: I love prison.

JERRY: It is fascinating.

Of course, when George and Jerry refer to “prison” what they really mean is “prison in movies”. And this is a perfect example of how film can glamourize like no other medium. In reality I doubt I could handle 30 seconds behind bars, but I couldn’t tell you how many times I’ve daydreamed about long hours of moody, stubbled confinement; doing pushups and reading Chomsky.

Starred Up is a British prison drama starring hot young thing Jack O’Connell as a violent young offender prematurely moved to an adult institution (he’s been “starred up”). I don’t need to tell you how good it is – the rave reviews are already out there – but I will say this for its success: I never once wanted to trade places with any of the characters.

 

Starred Up is showing tonight, 12.05am Channel 4

Sam Bowles

The Restless Scholar

An Intimate Portrait of Claudio Van Der Berg, by Sarah Braithwaite

Everyone seems to want a piece of Claudio Van Der Berg right now. And today, it’s my turn to sample the goods.

We meet for coffee in a relaxed place just off the Old Kent Road. The choice of café is apposite – ‘Brazilian Beans’ is artisan yet modest; Van Der Berg exudes an equivalent aroma of quiet quality. Dressed down in jeans and a plaid shirt, he is refreshingly unstarry. On the way in, Van Der Berg signs a few autographs, poses for a selfie or two and obligingly appeases someone desperate to perform fellatio, but, otherwise, keeps himself to himself.

Van Der Berg greets me warmly, makes sure I’m comfortable and insists I call him ‘Claudio’. Or, ‘Claude’. “Or, even just ‘Jerk’,” he quips. Wonderful self-deprecation from a man who has achieved so much at such a young age. After all, we’re talking about arguably the finest Hollywood actor of the last 3 years. And competition is stiff.

I begin our Q&A. Despite a famed aversion to discussing his craft, Van Der Berg never once gives less than most of his attention.

Do you feel under pressure to maintain the extraordinary level you have already reached in your career?

Oh, I’m just a working actor. Happy to be gainfully employed.

You’re known for your intensive preparation for each role…

 I do a lot of research, and have even been known to dip my toe in the waters of the ‘method’. If the results are good, it’s because I work hard for them.

Your new film – ‘The Brooding Enigma’ – is a biopic of the legendary intellectual and part-time SAS operative, Lieutenant Brigadier Sir Trevor Davenport. A man who single-handedly liberated a small African country while on a weekend break from writing the defining political polemic, “Why the Ruling Class is Good for Everyone”. How do you begin to research a role like that? Did you go full-method?

 Haha Well, I didn’t liberate any countries! But I did work as an SAS operative for 2 ½ days. They told me I had the potential to rise up the ranks.

Any confirmed kills? I’m joking.

 I can’t reveal that intel. And I’m not joking.

How about the accent? Coming from Austin, Texas, I would imagine an upper-class southern British accent is quite a stretch. Did you employ a dialect coach?

 [Van Der Berg frowns.]

 I’m my own dialect coach. I was introduced into the world and posed as a member of the upper classes for a few weeks. That way I don’t just pick up the accent but also the subtle details of interaction specific to that social group. I absorb that stuff almost by osmosis.

Hmmm. Fascinating. And the director of this project, Leon Demino, is known for his obsession with historical accuracy.

 Oh, that guy’s crazier than I am! He won’t settle for anything less than perfection. It was a great collaboration. We pushed each other to reach levels we probably didn’t even know we were capable of.

And everything is authentic: the clothes, the locations, the décor…

 It’s insane. Even the underwear I had on was historically accurate.

But there has been a suggestion that some of the weapons your character uses, such as a precision-guided grenade launcher, are anachronistic in that particular period, the late 19th century.

 Well, maybe if you’re being pedantic. But, come on, how great is that scene?

Oh, it’s an amazing scene.

 I know, right? And me using a grenade launcher is an artistic flourish that Demino couldn’t pass up. I’m behind him on that decision 110%.

[He pauses]

There’s also something intensely existential about that sequence.

In what way?

Well…I…I can’t give you all the answers. I’m just planting seeds. Essentially.

Sure. Shall we talk about what’s next for you? Upcoming projects?

Next up is a remake of American Gigolo. Normally I’m very wary of remakes, but this should be far removed from the usual bad cover version. I’m researching that part as we speak.

What does the research involve?

It involves me working as a gigolo. I’m living the part off camera as a working male prostitute. Although, obviously I’m selective when it comes to my clients.

So…sorry to be crude, but you’re getting paid to have sex with women in order to research your next role?

 Absolutely. And I know what you’re thinking, but don’t worry – my current girlfriend is incredibly supportive and understanding when it comes to my work. She knows how essential it is that I inhabit the character.

How long will you be doing this for?

 Well, this role is so challenging, I feel it’s essential I carry out this research for at least 6 months. Maybe even a year.

Wow. Good luck with the project.

 Thank you. It’s going to be intense, but I’m sure it’ll be worth it.

 

Sam Bowles